Moore

A solitary Moore

Morley

Ashmolean interior with Morely in the background – no photography of his work allowed!

My resolution this year is to visit a creative place once a month. After procrastinating for about 3 months on visiting the Bacon and Moore exhibition at the Ashmolean, I thought that it would be a perfect January outing, only to discover it ended 4 days ago so I had to make do with a solitary Moore at the entrance. It was a rather lovely reclining figure although she looked like I sometimes feel on the beach.You start off feeling comfortable but your bones become awkward shapes and the sand is not as soft as you anticipated! I wandered inside and ended up seeing Malcolm Morley who has been painting for the last 50 years. He was one of the founders of hyper-realism which was a reaction to the pop-art of the 1960s. His style began to break up from realism and became more paintily and he became progressively loose in his style dripping paint in the fashion of Pollock. By the 2000s his style had become smooth and stylised and it reminded me of airbrushed art. The pictures look as if they were painted from photos, have flat surfaces and an intended kitschness. I don’t much like his work and preferred his very earliest style which was much more tactile. However it was interesting to study his progression over the years. I had to laugh at a comment I overheard, “A car crash – rather unpleasant subject matter for a painting.” Perhaps for that woman it was just as well it wasn’t Bacon! Note to self: DON’T miss Cezanne in March.

Morley paintings (from the catalogue)

Morley paintings (from the catalogue)

Oxford from Cafe Loco

Oxford from Cafe Loco

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